Relative
In the scale of the universe, these photographic moments are insignificant. The images remain subjective and disparate, yet they refer to our ubiquitous existence. A yearning exists in each image, presenting the viewer with a familiar scenario. Whether it is a balloon floating hopelessly away into the vastness of the atmosphere (That Time You lost Your Balloon, 2012), or investigating the juxtaposition of the ideal and the flawed (The Agony of Suburbia, 2011); these images acknowledge and engage the human existence.
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